7 Best Pastels For Soft Shading Worth Trying
Achieve professional results with our guide to the 7 best pastels for soft shading. Explore these top-rated artistic tools and elevate your drawing technique today.
Adding soft pastels to amigurumi or felted projects transforms a basic plush toy into a professional-grade heirloom. This subtle technique adds warmth to cheeks, depth to ears, and realistic shadows to sculpted features. While fiber art is traditionally about tension and stitch structure, the application of color creates the final polish that elevates a project. Choosing the right pastel requires understanding how pigments interact with wool and acrylic fibers to ensure lasting, vibrant results.
PanPastel Colors: Best for Dust-Free Shading
PanPastels arrive in professional-grade pans, functioning much like an eyeshadow palette for fiber. They are highly pigmented and designed for minimal dusting, which is a massive advantage when working near delicate yarn fibers that might otherwise trap loose particles.
The unique binder keeps the pigment compact. This allows for precision control when applying color to the cheek of an amigurumi or the muzzle of a needle-felted animal.
Because these are less powdery than traditional sticks, they are less likely to migrate onto unintended parts of the knit fabric. However, the initial investment is higher than standard pastels, and a set of specific sponge tools is required for optimal application.
Sennelier Soft Pastels: The Ultimate Soft Blend
Sennelier pastels are renowned for their incredible softness and high pigment concentration. They glide onto the surface of needle-felted wool with virtually zero resistance, allowing for seamless, painterly transitions.
When shading large areas, such as the body of a felted creature, the buttery texture of these sticks makes blending effortless. The pigments are so intense that only a light touch is needed to achieve deep, saturated hues.
Be aware that because they are so soft, they break easily and create more dust than harder alternatives. Handle them with care to avoid getting pigment on the finished knit stitches surrounding the target area.
Faber-Castell Pitt Pencils: Best for Fine Detail
When the goal is to draw fine whiskers, precise eye corners, or delicate freckles on a doll, standard pastel sticks are far too clumsy. Pastel pencils offer the control of a drawing instrument with the texture of high-quality pigment.
These are essential for tight, controlled lines that require zero smudging or spreading. If the project involves detailed embroidery stitches, these pencils can nestle pigment right into the fiber crevices for a natural look.
Use a high-quality sharpener, as the cores are delicate and prone to snapping. They work best on tight-gauge, smooth fibers like mercerized cotton, where broad strokes would look uneven.
Schmincke Soft Pastels: Richest Pigment Option
Schmincke is widely considered the gold standard for pure, vibrant pigment. The saturation levels are unmatched, making them the ideal choice for projects where the color needs to pop against a muted background fiber.
The consistency is somewhat crumbly, which allows the artist to pick up loose dust with a brush and stipple it onto the fiber for a soft, airbrushed effect. This method is perfect for coloring large, fuzzy surfaces like mohair or brushed alpaca.
They are quite expensive, making them better suited for final finishing touches rather than covering large areas. If the goal is a bold, long-lasting aesthetic, this is the superior professional choice.
Rembrandt Soft Pastels: Great All-Around Performer
Rembrandt pastels occupy the sweet spot between hardness and softness. They are firm enough to hold a sharp edge for detail work but soft enough to blend smoothly across dense felted surfaces.
They serve as an excellent workhorse for those who are just beginning to experiment with coloring fiber. The texture is consistent throughout the stick, meaning the color payoff remains stable from the first swipe to the last.
While they may not have the extreme, buttery softness of Sennelier, they are significantly more durable and less prone to crumbling. They are a reliable, cost-effective choice for both amateur crafters and seasoned designers.
General’s Powdered Pigments: For Ethereal Effects
Sometimes, the best approach isn’t a stick at all, but pure pigment powder. General’s allows for the creation of very subtle, hazy color gradients that look as though they are part of the fiber itself.
To use these, dip a soft brush into the powder and tap off the excess before gently working it into the wool. This method produces an incredibly soft, ethereal finish that is nearly impossible to replicate with a solid stick.
Because this is loose pigment, it can get messy quickly. Always work over a protected surface to ensure the surrounding knitting or crochet projects do not get accidentally stained.
Mungyo Gallery Soft Pastels: Top Budget-Friendly Pick
For those who want to practice their shading techniques without investing heavily in professional-grade art supplies, Mungyo offers a surprisingly high-quality experience. The color selection is vast, and the consistency is surprisingly consistent for the price point.
They are slightly harder than the premium brands, which makes them perfect for beginner experiments where multiple attempts at blending are likely. They offer good color payoff without the risk of over-applying pigment.
While they may not offer the same longevity as more expensive options, they are perfect for testing color combinations. If a mistake is made, the pigment is generally easier to lift from the fiber than the more highly concentrated professional brands.
How to Apply Pastels to Amigurumi and Felt
Application begins with the right tool. Use a small, dense makeup brush or a dedicated foam applicator to pick up a small amount of pigment.
Always apply the pigment in thin layers, building up the color gradually rather than attempting to reach the desired shade in one swipe. For amigurumi, focus on the recessed areas, such as the space around the eyes or the joints of limbs, to mimic natural shadow.
If the fiber is too dense, a light buffing motion will help the particles settle into the structure of the wool. Never rub forcefully, as this can distort the crochet stitches or create pilling on the surface of the fiber.
How to Set and Seal Pastels on Your Fiber Art
Pastels are inherently powdery and, left untreated, will rub off over time through handling. Once the desired look is achieved, the pigment must be fixed to the surface.
A light, even misting of a workable fixative spray is the standard industry practice. Hold the spray at least 12 inches away from the project to avoid soaking the fiber, which can cause the pigment to bleed or the yarn to mat.
Test the spray on a swatch of the same yarn first to ensure it does not change the feel of the fiber. Avoid heavy saturations, as excessive sealant can leave the yarn feeling stiff or plasticky rather than soft and natural.
Sticks vs. Pencils vs. Pans: Which Is for You?
The choice of medium depends entirely on the project scope and the desired finish. Sticks are the most versatile for large, broad areas of color.
Pencils are the only choice for fine, illustrative work like eyes, mouths, or intricate details on miniature projects. PanPastels represent the bridge between the two, offering control and a dust-free environment for those who dislike the mess of traditional sticks.
Evaluate the texture of the project fiber as well. If working with a fuzzy yarn, powders and pans will cling better than hard pencils. If the piece is smooth and tightly knitted, pencils and harder sticks will provide the crisp lines needed to define features clearly.
The art of shading fiber requires patience and experimentation, but the resulting depth of character makes every extra step worthwhile.
